bohemian drips. presents
„Die Milchstraße flockt“ Record Release Show
We return to Ziegrastr. 11 to celebrate the release of our upcoming binaural LP, recorded in
"Kunstkopf Stereophonie"
at Schloss Freudenberg in 2017.
„Die Milchstraße Flockt“ (BD008)
Music played by: Ruth-Maria Adam, Alexander P. Jovanovic, Inox Kapell, Josefine Lukschy, Alexander Meurer
The record will be officially released on Friday 23.03.18! More & detailed informations about the LP can be found below.
We are happy to present you a program, that circles sonically around the imprint of the LP, channeled through four live performances and a selection of records.
Ÿ
LIVE
Ein Milchstraßen Ensemble Improvisiert
no clouds
Alex P. Jovanovic - Steel Drums (Schrippe Hawaii)
Ruth Maria Adam - Violine & Flöte (Datashock)
Josefine Lukschy - Hohner Bass Akordeon (Bechamel)
Alexander Meurer - Santour (Kolophonium)
Δ
Technosekte (Trio)
no clouds
Bastian Hagedorn - Drums
Hendrik Frese - Drums
Ruth Maria Adam - No Input Mixing & Voice
Θ
Tape-Modulations & Electronics
†
the joKer & dubdub (Refugees on Dancefloors)
performance for
bowed metal & cymbals & electronics
ς
Performing a de- / re- construction of the LP
„Die Milchstraße flockt“ from the original recording material
Ψ
before / between / after
selected records & tapes & data
Insultor (Staalplaat / Le Petit Mignon)
Vamilienfa†er (bohemian drips. / Staalplaat)
lislbar & wermuth. (bohemian drips.)
ϒ
Release Information:
While the production of “bohemian drips’“ latest release – “Iván Paz’ Visions of Space“ [BD007] – was dedicated to the exploration of virtual space in a physical context, the label’s next “binaural“ in-house production reaches out to new recording ethics. „Die Milchstrasse Flockt“ [BD008] marks a turning point in the label’s history, as a group of Berlin based artists got together only for this record: The quintet consisted of Ruth-Maria Adam, Alexander P. Jovanovic, Inox Kapell, Josefine Lukschy and Alexander Maurer.
They have no collective history or collaborative background – the group was only set to drive out to “Schloss Freudenberg“, a looming Chateau built in 1905, with a truckload of instruments. Their aim was to embrace the possibilities of the space, its historic collection of rare and strange instruments and its acoustics.
Formed organically through the time spent in the castle, the album turned out to be an obscure yet beautiful assemblage of strange noises and sounds, staged and amplified through the space itself and the perspective of a “KU-100“ dummy-head microphone. All music was created with a wide range of acoustic instruments and unique sound devices, captured in binaural “Kunstkopf Stereofonie“. Thus, listening to this record with headphones will relocate you directly to the actual recording scenario.
